6

Jagged jaws disguised
as righteous rules
spring shut and hold.
A sentence, self-imposed, unfolds.
You flail
then learn to move
within the bonds.
Someone else decides
the time to eat
the work to do
the time to sleep
and if you do.
Sharp edges of your mind
erode to fit.
You stop rattling the locked door
and forget the bed is hard.
Enfolding walls assure
instead of threaten.
When keys are proffered
and windows left unbarred
you rise in fear
and brace your feet against the door.

Posted by Vivian on May 28, 2008
Tags: Uncategorized

Total comments on this page: 8

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Meagan M. on paragraph 1:

I love the transformation in this poem, the prison that becomes a sanctuary. The rhyme and almost-rhyme is wonderful as well, as in “spring shut and hold. / A sentence, self-imposed, unfolds.” Those lines make me wonder what kind of choice created this prison. “Someone else decides / the time to eat / the work to do / the time to sleep / and if you do.” are definitely my favorite lines. For me, line fifteen feels rather long in the context of the rest of the poem. I think it would be stronger without “Soon.” I feel sort of the same about “Then” at the beginning of line 19, but not as strongly.

May 29, 2008 4:33 pm
Vivian :

I like your idea about deleting those words, Meagan. I’m going to edit it that way.

June 5, 2008 4:33 pm
Sue walker on paragraph 1:

I’m glad you’re writing, Vivian.
Maybe I’m tired tonight — and am not reading as I should be, but I don’t get the line “and if you do.” And if you do what? Eat and sleep — and the time to do these things? Somehow the period draws me up short. I want to know what happens “if you do.”

I really like the lines:
Sharp edges of your mind
erode to fit.

There is so much in this poem that I want to savor every word–which makes me question my own “reading.” I am intrigued by the “jagged” jaws that are “righteous rules.” I am intrigued by the rules being righteous–and the juxtaposition of jagged and righteous.

I want to think more, too, about the sentence that is “self-imposed.” This really opens the poem to introspection. Who is the speaker, here? Line 5 is an “apostrophe”– an address. So who is this “you” that is in the act of “failing”?

The next interesting word is “bonds” — and think about Meagan’s comments about a prison. I am thinking, too, of how “bonds” are both confinement and a marriage bond–the conjoining of “ragged jaws” and righteous rules.”

Now who is the “decider”? The “someone else”? in the poem.

Sharp edges — takes me back to the “jagged jaws.” It’s feel dangerous and threatening; Really like the “erode” that is another sinister word.

I like the word “proffered.” Fascinating word to use here. Everything thing about this poem enhances the sense of fear.

Terrific poem, Vivian. One of your best.
SBW

May 30, 2008 9:25 pm
Vivian :

The line “and if you do” is intended to mean that the unidentified ’someone else’ decides whether you eat or sleep or work at all. There is a lot of intentional ambiguity here. The prison could be real or imagined, self-imposed, say, as a political prisoner or the caregiver of a child or invalid.

June 5, 2008 4:40 pm
Alexis on whole page :

this is so wonderfully written–so vivid–the prison, whether literal or within the mind… and how the speaker is forced to conform to the confines, and does…

May 31, 2008 6:34 pm
Nathan on paragraph 1:

This whole poem just feels like prison. Sharp, edges, jagged, jaws, flailing, are all in the poem and fit very well. To me they offer the feel that prison has a shanking or a brawl just under the surface waiting to get out. I like this a lot.

June 2, 2008 12:00 am
Vivian on whole page :

Thank you all for your comments and suggestions. I value so much the feedback I get from you.

June 5, 2008 4:42 pm
Rini on paragraph 1:

I love the ambiguity of this poem; it can be read from so many perspectives, and any of them would be “right.” As you noted in your reply, there are lots of prisons people put themselves into, and sometimes they become so accustomed to them that they can’t leave even when they get the chance.

I also like the way you play with the language - the eroding of the mind, the “enfolding walls” and the slant rhyme of proffered with unbarred to mention just a few. And the “Someone else decides” through “and if you do” is a great lead-in the eroding mind.

Rini

June 6, 2008 3:03 pm
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